How shall I describe it? First of all, for the benefit of the tyro, let me explain that heaving to is that sea manœuvre which, by means of short and balanced canvas, compels a vessel to ride bow-on to wind and sea. When the wind is too strong, or the sea is too high, a vessel of the size of the Snark can heave to with ease, whereupon there is no more work to do on deck. Nobody needs to steer. The lookout is superfluous. All hands can go below and sleep or play whist.!

There was a silence. Old Liebard thought it about time for him to take leave. But the poor flying-fish! Pursued and eaten alive by the bonitas and dolphins, they sought flight in the air, where the swooping seabirds drove them back into the water. Under heaven there was no refuge for them. Flying-fish do not play when they essay the air. It is a life-and-death affair with them. A thousand times a day we could lift our eyes and see the tragedy played out. The swift, broken circling of a guny might attract one’s attention. A glance beneath shows the back of a dolphin breaking the surface in a wild rush. Just in front of its nose a shimmering palpitant streak of silver shoots from the water into the air—a delicate, organic mechanism of flight, endowed with sensation, power of direction, and love of life. The guny swoops for it and misses, and the flying-fish, gaining its altitude by rising, kite-like, against the wind, turns in a half-circle and skims off to leeward, gliding on the bosom of the wind. Beneath it, the wake of the dolphin shows in churning foam. So he follows, gazing upward with large eyes at the flashing breakfast that navigates an element other than his own. He cannot rise to so lofty occasion, but he is a thorough-going empiricist, and he knows, sooner or later, if not gobbled up by the guny, that the flying-fish must return to the water. And then—breakfast. We used to pity the poor winged fish. It was sad to see such sordid and bloody slaughter. And then, in the night watches, when a forlorn little flying-fish struck the mainsail and fell gasping and splattering on the deck, we would rush for it just as eagerly, just as greedily, just as voraciously, as the dolphins and bonitas. For know that flying-fish are most toothsome for breakfast. It is always a wonder to me that such dainty meat does not build dainty tissue in the bodies of the devourers. Perhaps the dolphins and bonitas are coarser-fibred because of the high speed at which they drive their bodies in order to catch their prey. But then again, the flying-fish drive their bodies at high speed, too.

She had put him on the grass to cool him and went away only for a second; when she returned, she found no parrot! She hunted among the bushes, on the bank of the river, and on the roofs, without paying any attention to Madame Aubain who screamed at her: “Take care! you must be insane!” Then she searched every garden in Pont-l’Eveque and stopped the passers-by to inquire of them: “Haven’t you perhaps seen my parrot?” To those who had never seen the parrot, she described him minutely. Suddenly she thought she saw something green fluttering behind the mills at the foot of the hill. But when she was at the top of the hill she could not see it. A hod-carrier told her that he had just seen the bird in Saint-Melaine, in Mother Simon’s store. She rushed to the place. The people did not know what she was talking about. At last she came home, exhausted, with her slippers worn to shreds, and despair in her heart. She sat down on the bench near Madame and was telling of her search when presently a light weight dropped on her shoulder—Loulou! What the deuce had he been doing? Perhaps he had just taken a little walk around the town! “I think I can add to your outfit an additional method of utilizing the power of the wind,” wrote a well-wisher, “which, while not interfering with ordinary sails in light breezes, will enable you to use the whole force of the wind in its mightiest blows, so that even when its force is so great that you may have to take in every inch of canvas used in the ordinary way, you may carry the fullest spread with my method. With my attachment your craft could not be UPSET.” As for myself, I’d rather be that man than the fellows who sit on the bank and watch him. That is why I am building the Snark. I am so made. I like, that is all. The trip around the world means big moments of living. Bear with me a moment and look at it. Here am I, a little animal called a man—a bit of vitalized matter, one hundred and sixty-five pounds of meat and blood, nerve, sinew, bones, and brain,—all of it soft and tender, susceptible to hurt, fallible, and frail. I strike a light back-handed blow on the nose of an obstreperous horse, and a bone in my hand is broken. I put my head under the water for five minutes, and I am drowned. I fall twenty feet through the air, and I am smashed. I am a creature of temperature. A few degrees one way, and my fingers and ears and toes blacken and drop off. A few degrees the other way, and my skin blisters and shrivels away from the raw, quivering flesh. A few additional degrees either way, and the life and the light in me go out. A drop of poison injected into my body from a snake, and I cease to move—for ever I cease to move. A splinter of lead from a rifle enters my head, and I am wrapped around in the eternal blackness.